Let It Bleed by Nicole Nesca

UNDERGROUND RIFFS PART TWO
A Review by New Pop Lit

letitbleed

“–throwing my arms around the world, Buddha, Christ and anyone else who has an ideology a purpose and a yarn and a barn to sell twisting into shapes and people and things wandering and wondering into the shadows of the new day–“

THIS is the second publication we’re reviewing from Screamin’ Skull Press. There’s more reality, more humanity, in the two modest volumes than in scores of books of conglomerate-produced “literary” works.

“I think of all the books I want to read and that I want to write. I think of all the original music in my head and the paintings I have yet to create.”

This comes at the end of one of Nicole Nesca‘s prose poems. It’s the credo of the writer. Of any artist.

LET IT BLEED is a writer bleeding emotion, history, and imagination onto the page. Nicole does this in chapter after chapter, a many-hued mix of poetry, prose and stories bleeding into one another, sublimated to her intelligence and her voice. It’s appropriate for Nesca to mention paintings– these are word paintings. When you read them you see the emotion– the artistic blood– dripping from the sentences, as if she opened a vein and out flowed creativity.

“I raze myself every couple of weeks to allow the pain, the happiness and the beauty of life to melt into a pot to ponder to create to sell to be as the gentle reminder that one day I too will be old and unable to do things that foolish people do my eyes sting–“

Paintings set to rhythm, combining all things words are able to be:
-Be visual. These works are visual.
-Be musical. The words flow rhythmically into the ear like a cool jazz cadence.
-Be real. They’re real. Hyperreal.

Do we have a favorite from this collection? Yes! “Absinthe,” and “Johnny,” and “What would Hemingway say?” and “Nephew,” and “Should we all ‘let it be’?” and “Red, White and Very Blue,” and. . . .

Reading this slim volume is like late night listening to a just-released album of new jazz or new rock, discovering that writing can still come alive, be direct, be relevant, be today.
****
Check out their site here. An exciting lit happening.

nicole (1)

(Photo of Nicole Nesca.)

 

 

 

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Last Stop to Saskatoon by Tony Nesca

UNDERGROUND RIFFS PART ONE
A Review by New Pop Lit

last-stop-cover

“my radio playing 1970’s rock and roll on
rain-soaked afternoon
with my bottle of Rye
ice rattling in the glass
blue smoke thick in the room
and the airwaves carrying thoughts of
death and internet madness”

OCCASIONALLY we receive DIY zines or books and are pulled against our will back to our underground roots.

Bonfire

LAST STOP TO SASKATOON is a 2018 “Howl” at a time with reasons for howling. Maybe the only response to the crazy chaotic age, when we’re bombarded with crisis 24/7 by media, is to find, as Tony Nesca does, an outlet in art. A time for crafting fiery words and making combustible art. Many are doing it outside the gaze of the “Big 5” New York-centered conglomerate publishing scene. Outside, beneath, and behind the machine.

“in the name of freedom hunting all that
speak slurred thoughts of
nothing voices in the
barroom living-space and
in Italy they drink espresso at night
and dance the morning till noon skip
dreary workday on the sand
spread-eagled happy”

It’s in such writings that you find today’s reality. Where you find true voices full of pain and outcry, of naked humanity.

Nesca is part of Screamin’ Skull Press, a two-person indie publishing project cranking out slim books of such words. Check out their website here, order a few of their books, find out what’s happening. (We’ll be reviewing another of theirs next week.)

tony

(Photo of Tony Nesca.)